Program

Click the paper titles to see individual abstracts, or click here for a full set of abstracts.

Conference Schedule 2012

	Thursday 19 April
2:00 – 5:00 P.M.	Registration Lobby, Courtyard Marriott Hotel
1:15 – 3:15 P.M.	Joint meeting of the 2009–2012 and 2012–2015 Governing Boards Hunter College, CUNY, North Building 695 Park Avenue, Room 417
	BREAK (3:15 – 3:30 P.M.)
3:30 – 4:45 P.M.	*Meeting of the Web Library* Editorial Board** Hunter College, CUNY, North Building 695 Park Avenue, Room 417
	Friday 20 April
8:30 – 9:15 A.M.	Registration Metropolitan Museum, Uris Center, Sacerdote Lecture Hall
8:30 – 9:15 A.M.	Continental Breakfast Reception Metropolitan Museum, Sacerdote Lecture Hall
9:15 A.M. – 12:15 P.M.	PAPER SESSION I Metropolitan Museum, Sacerdote Lecture Hall
	SHORT SESSION A: THE VISUAL MUSE Rose Pruiksma (University of New Hampshire, Durham), Chair
	Michael Dodds (University of North Carolina School of the Arts) The Canon in Pieter van Laer’s Self-Portrait with Magic Scene
	Georgia Cowart (Case Western Reserve University) Performing/Transforming French Identity: Watteau and the Satiric Musical Theater
	BREAK (10:35-10:55 A.M.)
	SHORT SESSION B: INSTRUMENTALISTS, PROFESSIONAL AND AMATEUR Charles Brewer (The College of Music, The Florida State University), Chair
	Michael Bane (Case Western Reserve University) Francesco Corbetta’s La Guitarre royalle (1674) and the Aesthetic of Ease
	Arne Spohr (College of Musical Arts, Bowling Green State University) Networking, Patronage and Professionalism in the Early History of Violin Playing: The Case of William Brade
12:15 – 2:00 P.M.	Lunch and Formal Business Meeting Metropolitan Museum, Sacerdote Lecture Hall
2:00 – 4:00 P.M.	Museum Tours J.Kenneth Moore (Curator in Charge, Metropolitan Museum) Jayson Dobney (Associate Curator, Metropolitan Museum) Barbara Hanning (SSCM and CUNY) Wendy Heller (SSCM and Princeton) Meeting point: Musical Instruments Wing, Second Floor, Balcony
	BREAK (4:00 – 4:15 P.M.)
4:15 – 5:15 P.M.	Lecture Recital: Pasqualini Singing Roger Freitas (Eastman School of Music), Chair
	Margaret Murata (University of California, Irvine) Arthur Haas (Stony Brook University) Katherine Kaiser (Stony Brook University)
6:30 P.M.	Bus departs from the Marriott for Chinatown
7:30 – 8:00 P.M.	Cocktails Golden Unicorn Restaurant 18 East Broadway
8:00 – 10:00 P.M.	Banquet Golden Unicorn Restaurant
	Saturday 21 April
8:30 – 9:00 A.M.	Registration
	Coffee Metropolitan Museum, Sacerdote Lecture Hall
9:00 – 12:40 A.M.	PAPER SESSION II Metropolitan Museum, Sacerdote Lecture Hall
	SHORT SESSION A: MUSIC AND THE PRINTED OBJECT Bruce Gustafson (Franklin & Marshall College; Oxford Bibliographies Online), Chair
	Graham Freeman (University of Toronto) “Things Marvelously Altered”: Print, Manuscript, and Consumer Demand in Early Modern England
	Alexander Silbiger (Duke University) The Mystery of the Frescobaldi Portraits
	Derek Stauff (Indiana University) Polemical Broadsheets and Lutheran Music in Saxony during the Thirty Years’ War
	BREAK (11:00 – 11:20 A.M.)
	SHORT SESSION B: VOICES OF SCULPTURE Jeffrey Kurtzman (Washington University in St. Louis), Chair
	Wendy Heller (Princeton University) Arethusa and Daphne: Opera, Sculpture, and the Staging of Desire for Scipione Borghese
	Alex Fisher (University of British Columbia) A Musical Dialogue in Bronze: Gregor Aichinger’s Lacrumae (1604) and Hans Reichle’s Crucifixion Group for the Basilica of SS. Ulrich and Afra in Augsburg
12:40 – 2:00 P.M.	Lunch
12:45 – 1:50 P.M	*Lunch meeting of the Journal’s Editorial Board* Uris Seminar Room
2:00 – 5:00 P.M.	PAPER SESSION III Metropolitan Museum, Sacerdote Lecture Hall
	SHORT SESSION A: OPERA AND SACRED SONG IN ITALY Robert Holzer (School of Music,Yale University), Chair
	Andrew Eggert (Columbia University) L’Eritrea 1652, 1654, 1661: Comparative Dramaturgy of Cavalli in Performance
	Sara Pecknold (Catholic University of America) “On Lightest Leaves Do I Fly”: Natality and the Renewal of Identity in Barbara Strozzi’s Sacri musicali affetti (1655)
	BREAK (3:20 – 3:40 P.M.)
	SHORT SESSION B: OPERA AND MASQUE IN ENGLAND Candace Bailey (North Carolina Central University), Chair
	Murray K. Dahm (Sydney) Henry Purcell’s Spaniards and the Dating of Dido and Aeneas
	Amanda Eubanks-Winkler (Syracuse University) Cupid in Early Modern Pedagogical Masques
5:15 – 7:30 P.M.	Concert preceded by Wine-and-Cheese Reception Juilliard 415 with Robert Mealy playing the Museum’s 1693 Stradivari violin Metropolitan Museum, Patrons Lounge
	Sunday 22 April
7:00 – 8:20 A.M.	Breakfast meeting of the 2012–2015 Governing Board Location TBA
8:30 – 9:00 A.M.	Coffee Metropolitan Museum, Sacerdote Lecture Hall
9:00 – 12:00 noon	PAPER SESSION IV Metropolitan Museum, Sacerdote Lecture Hall
	SHORT SESSION A: THEORY AND PRACTICE Michele Cabrini (Hunter College, CUNY), Chair
	Gregory Barnett (Rice University) Modal Polemics and the Intangible Modes
	Don Fader (University of Alabama) Les Modernes Face the Music: The Circle of the Future Regent as Locus for a Relativist Crisis in “Préramiste” Music Theory
	BREAK (10:20 – 10:40 A.M.)
	SHORT SESSION B: DIALOGUES WITH TEXT Christine Jeanneret (Université de Genève), Chair
	Eric Bianchi (Fordham University) Bad Latin and Bad Manners: Giovanni Battista Doni Reads Marin Mersenne
	Tim Carter (University of North Carolina, Chapel Hill) Cerberus Barks In Vain: Poetic Asides in the Artusi–Monteverdi Controversy

Program

Conference Schedule 2012

Thursday 19 April

Friday 20 April

Saturday 21 April

Sunday 22 April